Carmen wets the bed during recurring nightmares where she pictures herself as a Kaqchikel woman being chased and abducted with two Kaqchikel children by the military. The protests continue around the clock, leaving the family essentially trapped in the house. Alma teaches Sara to hold her breath under water. However, Natalia learns from Sara that even though she is very young, Alma already had a son and daughter who died. His disgusted wife tells Natalia that he was always attracted to native women and reveals her suspicions that Valeriana, who arrived at their household as a child, may be Enrique's daughter. One night Enrique sees Alma wading through the pool into the house his family discovers him, sexually aroused, watching her wash her dress. Supernatural activity involving water, including faucets spontaneously turning on, ensues. His devoted housekeeper, Valeriana, brings in a young woman named Alma from her village to work as a maid.
This leads to most of his household staff - who are ethnic Kaqchikel people - quitting. The decision is met with disgust and unrest by the public, who hold nonstop protests outside the Monteverde home.Įnrique's sleep is interrupted by the sound of a woman weeping and he narrowly misses shooting his wife in the kitchen. He is convicted but the verdict is overturned by the high court, which ruled that his guilt could not be conclusively proven. During the trial, Natalia is troubled by the indigenous women who describe being brutalized by General Monteverde's army, while Carmen dismisses them as liars. Now elderly, he lives with his wife, Carmen daughter, Natalia granddaughter, Sara and their security guard, Letona.
Audiences who get bilked for the price of a ticket will be the ones who are really cursed.Former Guatemalan dictator Enrique Monteverde (based on Efraín Ríos Montt) is being tried for orchestrating the brutal genocide of native Mayans in 1982–83. Tony Amendola also shows up as his Annabelle character Father Perez, in what feels like a desperate attempt by producer James Wan to make La Llorona part of his mega-successful Conjuring franchise. There was a chance here for screenwriters Mikki Daughtry and Tobias Iaconis, best known for the YA drivel of Five Feet Apart, to use the curandero and his magic potions to examine the roots of this urban legend - or better yet, to give the film a cultural backstory that might resonate for Latinx audiences and illuminate something for the rest of us.
The holy man persuades Anna not to flee the spirit of La Llorona but to take a stand against her. The dialogue starts at risible and descends from there, with a former priest turned curandero (faith healer) played by Raymond Cruz getting the worst lines.
THE CURSE OF LA LLORONA 2007 MOVIE
But mostly the movie defaults to predictable jump scares at every turn. A few of them even work, notably a bathtub scene in which La Llorona attempts to wash Samantha’s hair and a moment when the ghost traps the kids in a car. To drum up chills, first-time feature director Michael Chaves resorts to every cheap trick in the book, from squeaky doors and creaky floorboards to a shrieking score by Joseph Bishara. The Best Audiophile Turntables for Your Home Audio Systemįlashback: Tina Turner Covers Dolly Parton, Kris Kristofferson on Debut Solo Album And the Weeping Woman is back in business. Driven mad with grief, Patricia calls on the mythic ghost to curse Anna, a widow raising her own two children: Samantha (Jaynee-Lynne Kinchen) and Chris (Roman Christou). Of course, La Llorona pounces and drowns them in a reservoir. Learning that a mother named Patricia Alvarez (Patricia Velásquez) has been forcing her two young sons to live in a cramped closet, she sends the boys to foster care. Back in the 17th century, she drowned her two kids after her husband’s skirt-chasing pissed her off since then, her spirit (Marisol Ramirez) flits around in a ghostly white dress, killing the children of other poor mothers.Ĭut to Los Angeles 1973, where social worker Anna Garcia - played with a conviction the lame script doesn’t deserve by Linda Cardellini ( Freaks and Geeks, Green Book) - suspects that something is not right with one of her cases. This missed-opportunity of a film is based on the Mexican legend of La Llorona, a.k.a. Still, that’s no excuse for a lazy cash-in like The Curse of La Llorona, which plays too timid for terror and is too lazily constructed to haunt anyone’s dreams. There’s a lot of box-office heat on horror these days - Jordan Peele’s Us has already grossed $236 million worldwide.
0 kommentar(er)
